PAINTING: POWERS OF OBSERVATION

Some Still Life Paintings



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  • Leonard Cohen on Discipline
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  • Tilted Arc: Stuart Shils
  • Interview with Claudia Carr
  • Embellished Skeleton
  • Ruth Miller + Stuart Shils Conversation

POSTS

  • ▼  2014 (63)
    • ▼  January (63)
      • Creatures
      • Painters in the Studio
      • Susan Lichtman
      • Hawthorne on Painting
      • Before and After: Copies
      • Human Measures
      • Robert Storr: Advice to Art Students
      • John Cage Rules
      • An Encounter with Euan Uglow
      • Lennart Anderson on Painting
      • Sargent on Painting
      • Ken Kewley Dressing Room Paintings
      • Contact
      • Links
      • Chuck Close: Note To Younger Self
      • Lois Dodd video
      • Lois Dodd: Painting in Maine
      • RICHARD RAISELIS: Time for Reflection
      • Quotations
      • Some Heads
      • The Composition of Paintings: An Artist’s Perspect...
      • Diebenkorn's Notes to Himself
      • Beau Lotto on Visual Perception
      • Some Drawings
      • Behind the Curtain: Meaning and Representations of...
      • Giving the Mundane its Beautiful Due
      • Fluidity in Focus
      • Straight lines/curved forms
      • Other: Inside and Out
      • My palette: E.M. Saniga
      • Palettes: Limited + Expanded — Ilya Gefter
      • Cezanne's Doubt
      • ZEUXIS: STILL BLUE
      • Stuart Shils on Color and his Palette
      • Ruth Miller
      • Sangram Majumdar — Color and Paint
      • 52 Nudes Through Art History
      • KEN KEWLEY — Notes on Color and Composition
      • Painters and Their Palettes
      • Painters' Palettes in Photos
      • Catherine Murphy Interview
      • Some Figure Paintings
      • GEORGE NICK: THE WORLD IS FLAT
      • Some Still Life Paintings
      • PHILIP GEIGER: Ink wash drawings
      • Ruth Miller's Atmosphere of Thought
      • Small is Big essay
      • Small is Big: Questions + Answers
      • Small is Big
      • The Innocent Eye is Blind
      • Catherine Murphy Talks About Painting
      • Rembrandt Peale on Drawing — 1835
      • The White Album
      • Robert Dukes: Notes on Observational Drawing*
      • PATRICK GEORGE ON PAINTING (1960)
      • ANDREW FORGE ON STILL LIFE
      • Peter Inglis on Drawing
      • Details, details
      • Quotations of the Week
      • A FEW GOOD STARTS
      • PAINTING OF THE WEEK
      • PATRICK GEORGE RETROSPECTIVE
      • CHRIS BENNETT: NOTES ON EUAN UGLOW

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