PAINTING: POWERS OF OBSERVATION

Catherine Murphy Interview


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  • Painting OWU
  • Drawing OWU
  • Tilted Arc: Stuart Shils
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  • Embellished Skeleton
  • Ruth Miller + Stuart Shils Conversation

POSTS

  • ▼  2014 (53)
    • ▼  January (53)
      • Creatures
      • Hawthorne on Painting
      • Human Measures
      • Robert Storr: Advice to Art Students
      • John Cage Rules
      • An Encounter with Euan Uglow
      • Lennart Anderson on Painting
      • Sargent on Painting
      • Contact
      • Links
      • Lois Dodd video
      • Lois Dodd: Painting in Maine
      • RICHARD RAISELIS: Time for Reflection
      • The Composition of Paintings: An Artist’s Perspective
      • Diebenkorn's Notes to Himself
      • Behind the Curtain: Meaning and Representations of...
      • Giving the Mundane its Beautiful Due
      • Fluidity in Focus
      • INSIDE AND OUT
      • My palette: E.M. Saniga
      • Palettes: Limited + Expanded — Ilya Gefter
      • Cezanne's Doubt
      • Stuart Shils on Color and his Palette
      • Sangram Majumdar — Color and Paint
      • KEN KEWLEY — Notes on Color and Composition
      • Painters and Their Palettes
      • Painters' Palettes in Photos
      • Catherine Murphy Interview
      • GEORGE NICK: THE WORLD IS FLAT
      • PHILIP GEIGER: Ink wash drawings
      • Small is Big essay
      • Small is Big: Questions + Answers
      • Small is Big
      • The Innocent Eye is Blind
      • Rembrandt Peale on Drawing — 1835
      • The White Album
      • Robert Dukes: Notes on Observational Drawing*
      • PATRICK GEORGE ON PAINTING (1960)
      • ANDREW FORGE ON STILL LIFE
      • Peter Inglis on Drawing
      • Details, details
      • A FIGURE
      • PATRICK GEORGE RETROSPECTIVE
      • CHRIS BENNETT: NOTES ON EUAN UGLOW
      • SOME DRAWINGS
      • SOME HEADS
      • SOME FIGURE PAINTINGS
      • BEFORE AND AFTER: COPIES
      • Catherine Murphy Talks About Painting
      • Ruth Miller's Atmosphere of Thought
      • SOME STILL LIFE PAINTINGS
      • Quotations
      • PAINTERS IN THE STUDIO
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